Graduate School

This website has amused me for hours.
Ugh. Graduate school is sucking my will to live right now.

Feminism in Country Music

Sorry for the lack of regular and relevant posts; I have been working hard on my thesis and finishing up my last year of course work.

But today I want to take a break from Kurt Cobain and write about a topic that has only recently caught my attention: women in country music.

My mother loves country music so I heard a lot of it as a youngster. And, like most things my mother liked, I rebelled strongly against it. I have never been a fan of country music in fact I used to put it on my list of most hated music. Recently, in homesick moments, I really enjoy a nice bluesy country tune. Nothing is better for heartache than country music. No, really. I even think that some female country music singers advocate feminism in their lyrics and lifestyles.

I decided to look up the lyrics of a few tunes that I have been thinking about lately. Each one of these songs has a complicated message about gender roles. I am reminded again of Melissa McEwan's blog post, "Feminism 101: How are we Supposed to Take Feminist Bloggers Seriously if they Post About Shoes?" in which she writes:

"Making the personal public and political is serious business. Because women's stories aren't told, it's incumbent upon female feminists to tell their own stories, to fill that void, to be unrepentant and loquacious raconteurs every chance we get, to talk about our bodies, our struggles, our triumphs, our needs, our lives in every aspect. It's our obligation to create a cacophony with our personal narratives, until there is a constant din that translates into equality, into balance."

This is the basis of standpoint feminist epistemology. Women's lives are not written into the dominant culture the way that men's are, especially women whose oppression is intersectional and complex. This makes some women's narratives feminist action. I don't mean to imply that just because a woman is speaking she is a feminist but I have noticed some distinctly feminist standpoints in country music.



Below are lyrics from several noteworthy tunes followed by my analysis. Enjoy.

"Well I was born a coal miner's daughter in a cabin on a hill in Butcher Holler.
We were poor but we had love
That's the one thing that daddy made sure of
He shoveled coal to make a poor man's dollar.

My daddy worked all night in the van lier coal mines
All day long in a field of whole and corn
Mommy rocked the babies at night and read the bible by the coal lore light
And everything would start all over come break of morning
Daddy loved and raised the kids on a miner's pay
Mommy scrubbed our clothes on a washboard everyday
While I seen her fingers bleed to complain there was no need
She'd smile in mommy's understanding way...
Yeah, I'm proud to be a coal miner's daughter."

"Coal Miner's Daughter" Loretta Lynn

A theme I noticed across this genre is the struggle of the working class and the working poor. This is one of the older songs on my list but Loretta Lynn is a classic country feminist. Here she writes about living in poverty. There isn't much political insight and she does identify herself in terms of her relationship to a man (her father). However, she identifies with his struggles and respects both of her parents for doing the best they could with limited resources. Gender is only one site of oppression, class seems to be more visceral here.

"Well you thought I'd be waitin' up when you came home last night
You'd been out with all the boys and you ended up half tight
But liquor and love that just don't mix leave a bottle or me behind
And don't come home a drinkin' with lovin' on your mind
Just stay out there on the town and see what you can find
Cause if you want that kind of love well you don't need none of mine
So don't come home a drinkin' with lovin' on your mind."

"Don't Come Home A-Drinkin'" Loretta Lynn

"All these years I`ve stayed at home while you had all your fun
And every year that`s gone by another baby`s come
There`s gonna be some changes made right here on Nursery Hill
This old maternity dress I`ve got is going in the garbage
The clothes I`m wearing from now on won`t take up so much yardage
Miniskirts hotpants and a few little fancy frills
Yeah I`m making up for all those years since I've got the pill."

"The Pill" Loretta Lynn

In these two songs Lynn takes on issues of gender. In "Don't Come Home A-Drinkin'" Lynn's lyrics conjure images of domestic violence and sexual assault. Still this song does not paint Lynn as a victim, she uses her voice and her music to tell him that she won't stand for the abuse. Then in "The Pill" Lynn sings about, you guessed it, the pill. I don't know about you, but I haven't heard many songs about birth control. Lynn speaks about how access to birth control empowered her to be more sexually adventurous and less restricted by monogamy. Many of Lynn's songs are about difficult topics like poverty and abuse yet she never seems victimized by these positions but rather uses them to empower herself through her art.

"Daddy said, 'Now come girl, we're headin' down the road to Augusta.'
And faintly through his clenched teeth, he called Mama's name, and then he cussed her
He said, 'Girl, you're young, but some dude has come along and stole your mother.
Ah, but you can't steal a willin' mind 'cause mama's always lookin' for a lover.'

With dusty teardrops on his face, my daddy cried an' big steps he was takin'
And halfway runnin' to keep up, my shorter legs were so tired and shakin.'
'Where did I go wrong, girl? Why would she leave us both this way?'
At times like these, a child of ten never knows exactly what to say

We searched in every bar room, and honky-tonk as well
And finally Daddy found them, and Lord, you know, the rest is hard to tell
He sent me out to wait, but scared, I looked back through the door
And Daddy left them both soakin' up the sawdust on the floor."

"Blood Red and Going Down" Tanya Tucker

I included this tune because I love Tanya Tucker. She also frequently writes about domestic violence and in this tune she implies (though never explicitly says) that her father murdered her mother. What is so interesting is that country music is frequently chastized for being backwards and anti-intellectual. Still, according to endabuse.org, "Women are much more likely than men to be killed by an intimate partner. In 2000, intimate partner homicides accounted for 33.5 percent of the murders of women and less than four percent of the murders of men." Domestic abuse seems to cut across class and race differences. There are, of course, differences but the difference between country music and so-called 'high brow' art is that female country artists speak much more freely about the reality of their private lives. I have included here several more country songs that contain narratives of sexual and domestic violence.

"Well she seemed all right by dawn's early light
Though she looked a little worried and weak
She tried to pretend he wasn't drinkin' again
But daddy left the proof on her cheek
and I was only eight years old that summer
And I always seemed to be in the way
So I took myself down to the fair in town
On Independence Day

Well word gets a round in a small, small town
They said he was a dangerous man
Mama was proud and she stood her ground
But she knew she was on the losin' end
Some folks whispered and some folks talked
But everybody looked the other way
And when time ran out there was no one about
On Independence Day...

Well she lit up the sky that fourth of July
By the time that the firemen come
They just put out the flames
and took down some names
And send me to the county home
Now I ain't sayin' it's right or it's wrong
But maybe it's the only way."

"Independence Day" Martina McBride

Several decades after Loretta Lynn and Tanya Tucker sang about domestic abuse, Martina McBride added her own narrative to the country music archive. "Independence Day" is about the day that the narrator's mother leaves her abusive father which happens to be American Independence Day. I especially love that anti-choice, conservative republican, Sarah Palin's, team used this as her campaign song. Martina McBride went along with it and, in turn, donated all of the royalties to Planned Parenthood. While it is clearly a liberal (as opposed to radical) move, McBride seems like a feminist to me. Another of her tunes, "This One's for the Girls," is a great feminist anthem.

"You've got a thing or two to learn about me baby
'Cause I ain't taking it no more and I don't mean maybe
You don't know right from wrong
Well the love we had is gone
So blame it on your lying, cheating, cold deadbeating,
Two-timing, double dealing
Mean mistreating, loving heart."

"Blame on your Heart" Patty Loveless

I like this song because it demonstrates the complexity of country music. While plenty of women sing about violence and abuse at the hands of their fathers and/or lovers they also sing about desire and pleasure. I think it is important to recognize that pleasure and danger co-exist.

"I didn't know my own strength
'Till I had to pick myself up
And carry on without your love
Oh,I'm gettin' back on my feet
It's been a long hard fall
But I'll make it after all."
"I Didn't Know my Own Strength" Lorrie Morgan

This song has gotten me through some tough times. The message of empowerment through self-reliance seems overtly feminist, though not without problem, to me.

"Phone rings baby cries TV diet guru lies
Good morning honey
Go to work make up try to keep the balance up
Between love and money
She used to tie her hair up in ribbons and bows
Sign her letters with X's and O's
Got a picture of her mama in heels and pearls
She's tryin' to make it in her daddy's world
She's an American girl."

"XXX's and OOO's (An American Girl)" Trisha Yearwood

"Well, I ain't never been the Barbie doll type
No, I can't swig that sweet Champagne, I'd rather drink beer all night
In a tavern or in a honky tonk or on a four-wheel drive tailgate
I've got posters on my wall of Skynyrd, Kid and Strait

Some people look down on me, but I don't give a rip
I'll stand barefooted in my own front yard with a baby on my hip
'Cause I'm a redneck woman
I ain't no high class broad
I'm just a product of my raising
I say, 'hey ya'll' and 'yee-haw'
And I keep my Christmas lights on
On my front porch all year long
And I know all the words to every [Tanya Tucker] song
So here's to all my sisters out there keeping it country."

"Redneck Woman" Gretchen Wilson

Another theme, in these more recent tunes, is that of pride. With all of its problems and complications, being a country women seems to be a source of culture, heritage and pride. Of course, that pride has been interpreted as racist, homophobic and, perhaps, ignorant it is still a unique and valid standpoint. These women seem to have in common an experience of femininity and duty, pleasure and danger, pride and survival.

This is by no means a complete list, these are just some songs I like with some themes I noticed. I think that this would make an interesting study. Perhaps a future research project.

All lyrics from Cowboy Lyrics.

Yes we can!

I just got home from listening to President Elect Barack Obama speak in Grant Park (I was in that crowd somewhere). It was really an amazing experience to be present at such a ground-breaking historical moment. Now I am not one to wax poetic about America or about so-called 'change.' I hope Obama does change America but I tend to believe that our two party political system is really a false binary. Candidates each pick a side on a partisan issue and we all pick our side and forget the myriad other sides and issues that aren't even being considered. I take major issue with American politics. I think that the system is inherently flawed and without radical deconstruction we will never have gender or racial or religious or economic equality.

All of that being said, I was moved to tears tonight when I was amongst a very large group of black people when it was announced that Barack Obama would be our next president. It is truly remarkable to think about the legacy of this country, the economic and political systems that were built on the backs of enslaved peoples. I cannot even imagine how it must feel to know that your family did build this country only to be incredibly marginalized by its systems of power and to now see an amazing black man elected to its highest office.

When I was seventeen years old I worked so hard on Al Gore's campaign. I remember staying up that election night until 4 a.m. waiting for the poll results that never came. Months later Gore was still fighting. That experience of working so hard only to have a stolen election was devastating. Then in 2004 I thought for sure we had had enough, I couldn't believe when Bush won the re-election. Those campaigns really took a lot out of me and that has a lot to do with why this is my first overtly political post about this particular election on this blog.

One of my favorite moments of Obama's speech was when he said: "The road ahead will be long. Our climb will be steep. We may not get there in one year or even one term, but America – I have never been more hopeful than I am tonight that we will get there. I promise you – we as a people will get there." This was an amazing victory but it is just the first step. Obama has a lot of healing work ahead of him and tonight really demonstrated to me that he is an excellent person for the job.

Selena Gomez's music video

I am not familiar with this artist's music but I came across her music video on AOL. I am curious as to what y'all think about it. Is it resistant to racist and classist ideologies or is she just reproducing tired stereotypes about Latinas and domestic labor?

More AOL news

According to AOL, Chicago is the most stressful city in the US. Awesome.

AOL "News"

When I am procrastinating doing my homework I occasionally read the AOL homepage. They always have little snippets of intriguing news. Gets me every time. There were a few I wanted to post. Don't have a lot of time for analysis but I really wanted to share.

First, fear not sexist republican voters. Sarah Palin is really just a figurehead. Her husband Todd is actually calling all the shots.

Second, drinking breast milk seems like a fine idea but what are the feminist ethical implications of paying women for their reproductive capacities?

Third, more fun with Photoshopping magazine covers.

Dr. Dominatrix

I had my first class of the quarter last night. Less than five minutes in the professor told us that she is a dominatrix and that she loves nothing more than watching her students suffer. And she was serious. This is going to be a rough quarter.

On Health Care or Lack Thereof

The health care system in this country is not something that I am extremely well-versed in as a scholar. I understand enough about my own insurance plan (through my father for one more year!) to get by and luckily my parents have been wonderful about picking up the slack while I am still in school. I never really stopped to consider just how very privileged that makes me.

Throughout the past three years I have come to a much more personal and intimate understanding of how this health care system is damaging, destructive, reckless, and just so unfair. I briefly mentioned many months ago that I went through a devastating break up. That break up was caused by my partner's serious and severe mental illness. He had struggled with depression since childhood. At the time we broke up he was twenty seven and had been living without health insurance since he was seventeen. He was bounced around free clinic to free clinic to see therapists and get medications. At least while we were in Milwaukee he saw the same therapist who kept an eye on the medications he was given by different psychiatrists every few months.

When we moved to Chicago the situation became much more precarious. He had no therapist, no way to get his medications and still, no insurance. We were able to get him in to a free clinic that re-filled his prescription for two months and set him up with an appointment to see a psychiatrist in three months! Well, he came down to the end of the prescription, was very busy with school and his part time job and preparing for the holidays (during which his depression always got much worse). This was when the meds ran out and he abruptly stopped taking them. Anyone who knows anything at all about anti-depressants knows that you should never stop taking them abruptly or without the guidance of a physician. Of course, he did not have access to a physician or a psychiatrist and that is why he ran out in the first place.

His behavior that following month can only be described as erratic. He ended our three year partnership, he dropped out of school, left his job, moved to Philadelphia on a whim and abandoned the kitty he had adopted eight years ago. When he finally did managed to see a psychiatrist again and get back on the meds his life was so screwed up that he wasn't able to recover and the anti-depressants made him just not care.

He moved back to Chicago but without proper management of his medication and depression he was unable to hold a job and was quickly evicted. I have been dealing with helping him find resources for the homeless and mentally ill. Last week I had him committed to a state mental institution so that at least he would have a place to stay and someone to assess his situation and (hopefully) medicate him properly.

I have watched a sweet, kind, loving, patient and generally wonderful man reduced to homelessness, debilitating poverty, suicide attempts and general misery for himself and everyone who loves him. And I blame the pathetic excuse for health care we have in this country. If only his five year job had allowed him to work an extra two hours a week so that he could be considered full time so he could be eligible for health benefits, if only the city or state would have some options for people who work $8/hour jobs and can barely pay their rent much less health insurance premiums. If only people understood that depression is cyclical. A person can get too depressed to keep a job and then not have access to the resources necessary to deal with said illness.

It makes me so sad to think of how much different things could be in my own personal life if this system weren't so terribly unfair. I cannot tell you the misery that this had caused me and certainly not the misery it has caused him. Right now it is a fight for survival, two years ago all it needed to be was a monthly appointment with a psychiatrist.

Disembodied Art Courtesy of David Byrne

My roommate is a serious biker. For her job (and anything else she chooses to do) she bikes about fifty miles a day! I, too, love biking but if I hit ten miles a day I'd be amazed.

Anyway, she sent me an e-mail about these new bike racks in New York City. She is excited to see such lively and colorful accoutrements just for bikers.

I wonder why a pornulated female body must be part of the city's art and biking culture? Why choose that particular form out of the thousands if not millions of alternatives? For context purposes please see Melissa McEwan's many posts on disembodied things.

If I had to lock my precious bike to this rack (no pun intended) regularly, all I'd be able to think about is how female bodies are quite literally turned into objects for others' use.

Happy Blogiversary to Me!

I cannot believe I missed it! August 5th was my blogiversary. One year. And a hell of a year it has been. I hope you all have enjoyed reading as much as I have enjoyed writing. I cannot begin to express how amazing and wonderful it is to have a venue outside of the academy through which I can grapple with complex issues of gender representation in mass media. I love being able to have discussions with readers, I love knowing that people other than professors are reading my thoughts, and I especially love that I don't have to be as careful to use the proper academic jargon in my writing here. Don't get me wrong, I love a big ol' hunk of theory as much as the next person but I also love reading the less restrained thoughts of readers and other bloggers. Thank you all and here's to another wonderful year!

Eve and Wall-E

I finally saw Wall-E. I hadn't really planned to see it but so many people I know really liked it and the trailer seemed so adorable... well I just couldn't resist. Before I discuss the movie I'd like to discuss the inaccessibility of feature films. I took a friend to see Wall-E and for the two of us, factoring in my student discount and not purchasing any snacks, it cost over $20! I could have purchased groceries for myself for a week with that. I guess that that is why I don't go to movies very often. I am tired of being criticized for being so out of the loop when I don't know about the recent blockbusters. Seeing movies in the theatre is a privilege that I cannot imagine very many people can afford to indulge in regularly.

Naturally, what I found most interesting about this film was the anthropomorphism and gendering of the robots. How do viewers become aware that Wall-E is supposed to be male? I guess it is never made explicit but I believe it was intended. The name Wally is male. But WALL-E is an acronym for "Waste Allocation Load Lifter- Earth Class." The other major character is Eve or as Walle-E calls her Eva. Eve is obviously a feminine name. I think that viewers are to gather that Wall-E and Eve are a nice heteronormative couple who happen to be genderless, sexless robots.

When Wall-E and Eve are aboard the Axiom we see many other robots some of which are clearly gendered, wearing make-up for example, and many that have no obvious gendered identifiers. I don't want to go into the depiction of humans in this film because many other feminist bloggers did a great job. Please read their interpretations!

Besides the rather odd signifiers of gender in seemingly genderless robots and the heteronormativity implicit in those signifiers, I think that Wall-E also challenges traditional notions of gender. If Wall-E was intended to be male, he behaves in a way that challenges hegemonic masculinity. He is obsessed with the idea of romance and companionship. He watches Hello Dolly and dances. He is very emotional. He takes care of Eve and 'falls in love' with her. He courts her tirelessly despite her seeming indifference to him. At the end he becomes very weak and she saves him! Eve is consistently depicted as the stronger and smarter of the two and at the end, she saves his life. Or as my friend Sophie puts it: Eve is badass. Indeed.

Again we are handed a complicated situation. On the one hand gendering robots so that they might fit into the accepted mold of heteronormative coupling is far from progressive. On the other hand, presenting the 'female' robot as the stronger, sleeker, smarter of the two is pretty progressive for Disney.

I really enjoyed the film, mostly because I thought that Wall-E and Eve were so adorable. I actually cried at the end!

Also, I think that Eve looks like an iPod and Wall-E looks like... a Victrola?

Happy Anniversary!

Happy One Year Anniversary to me and my wonderful city! Though I had some major reservations about moving here, I am quite sure that I made the right decision and I couldn't be happier. I love so many things about Chicago. Here are a few:

*public transit- though it is very far from perfect, it is available and fairly efficient which is more than I can say about other cities in which I have resided

*the gorgeous and accessible lake shore harbors and beaches

*lake shore trail

*bicycle friendliness and Bike Ambassadors (and not just because my roomie is one!)

*Music Box Theatre

*Wishbone Southern Reconstruction Restaurant
*Chicago Diner
*Pick-Me-Up Cafe
*Kopi

*Intelligentsia Coffee

*charter schools

*Boystown and Andersonville

*Drs. Ann Russo, Beth Catlett, Allison McCracken and Francesca Royster

*the history and contemporary art museums- and the fact that all public museums have a free day for residents of the city!

*Chinatown


There are so many things but I think the thing I love the most is just the feeling that I have living here. It isn't easy to describe but I feel very independent and comfortable... There isn't a word for how I feel walking down the gorgeous streets of Lakeview at night. I just love it.

Advice Please!

Dear Readers,

I have a task for you. I am considering applying for Ph.D programs for next fall (2009). This is a huge life decision that I am struggling quite a bit with. My family is very opposed to it because it will require a move even further away (right now I am about 200-250 miles away). I am looking at programs in Women's Studies and American Studies right now. I am leaning toward American Studies to make myself more marketable but ideally, I'd like to do both.

My family is also opposed because I haven't had a "real" job and if I do this I won't until I am 30+. I am okay with that but I know it is a gamble. Once I have a Ph.D I will be over-qualified for many jobs and I will be rather old to start a whole new career, which is not something I want to do anyway. Further, getting into those programs could prove difficult. I have never taken the GRE and am not sure I'd do well on it. Has anyone here taken it? Any advice? Based on what you know about me and my writing, would I even do well enough to make it worth the time, energy and money? I am no good at math! Is anyone familiar with programs that do not require GRE scores? What about foreign language proficiency? I have taken high school Spanish and I am taking a beginner course right now but would that be enough? I am in no way bilingual and am pretty sure it'd take years of intensive study for me to become bilingual.

My academic advisor said Ph.D programs typically take about four years and that I'd be a teaching assistant or research assistant during that time. I should be able to get scholarships/fellowships to cover tuition but will likely have to work an additional job to pay the bills. The bills, however, would be much lower living in a place like Ohio or Kentucky... I would have to leave all of my friends and live in a place I am pretty sure I'd hate. And I'd likely have to get a car which is so undesirable.

So those are the cons. The pros list is a bit shorter but the points are much more important. My long-term goal is to be a Women's Studies, American/Cultural Studies and/or Gender Studies professor. I know that I want to teach. I am very certain about that. I also know that I love being a student, I cannot imagine ever not being a student. I know I am a good teacher. I know I am a good student. I have no doubt that I'd be able to write a dissertation. These are things that not only am I capable of but that I'd LOVE to do. Women's Studies is my life, it is my passion. What else would I do?

What types of jobs are available to people with Bachelor's and Master's Degrees in Women's Studies? Could I work at a community college? What am I qualified to teach? I am quite sure I don't want to work in non-profits for very long. I enjoyed teaching high school students but at a college level I'd have more freedom to teach what I am passionate about.

Has anyone taken a break between a Master's and Ph.D? Is this a more desirable way to go? Does experience in the field make or break an applicants candidacy? I have not had a lot of experience working in the field because I am much more interested in the scholarship and theory.

Anyway, these are my questions and concerns. Any advice (seriously, any) would be welcome. Right now I am gathering as many opinions as I can and weighing them. For the record, I have no personal reason to stay in Chicago or even the midwest other than my friends who will likely be moving after graduation as well.

~Cortney

For your enjoyment here is a photo of the love of my life: Jasmine!

"Men's Rights" on The Dr. Phil Show

I don't want to go too much into this episode of The Dr. Phil Show because it certainly is complicated. A thirty seven year old alcoholic, drug addicted, man had 'sex' with a nineteen year old young woman. A pregnancy ensued. The man proceeded to stalk the young woman until she simply told him she had had an abortion so that he would leave her alone. After the baby was born the young woman placed her for adoption. When the father discovered this he decided that he wanted custody and began a lengthy legal battle for his rights despite a rather odd law that requires fathers to register with the state prior to birth if they wish to have any rights to the child after birth.

I will not suggest that this man doesn't have some rights. My problem with this episode is that the "expert" opinion that Dr. Phil solicited was that of Mel Feit, patriarchy-denier extraordinaire. Feit identifies himself as a Men's Rights Activist. Having recently studied at some length MRA movements I have to concur with one of my favorite feminist scholars, blogger Twisty Faster.

Quoth Twisty:

“Massively [W]rong Assholes, or ‘men’s rights activists’ are patriarchy-deniers. The ideologies of this violent and knobbish subset of the Male Dominion spring from male fear of women’s personal sovereignty, and manifest in practice as active misogyny. Men suffer, O how they suffer, at the hands of subhuman conniving bitches who seek world domination through insane women-are-human propaganda and the misguided attempt to claim their own internal organs as private property. The MRA imagines that women’s interests control and abuse him in an ever more feminized world; he erroneously sees himself as a battered victim of women’s agency, rather than what he actually is: a moron.”

The Problematic Gender Politics of Katy Perry

Because I find most of it nauseating, I tend not to listen to pop music. When I was in grade school, I used to have a little radio that I would secretly plug my headphones into to hear to Top 40 on Sunday nights. My mother did not approve of pop music and it was a major battle between us during my adolescence. I don’t listen to the radio anymore mostly because I don’t drive and because I listen to music on my iPod and/or on my computer. Also, I really like industrial/EBM/synthpop, etc. which they do not play on the radio. Last week I got a ride to Brussels with my cousin and his twelve-year-old daughter. Like I did when I was her age, she really wanted to listen to pop music on the radio. This is when I came across the song “I Kissed a Girl” by Katy Perry.



When I first realized what Perry was saying, I thought ‘how progressive… a lesbian on pop radio and here is my little cousin singing along.’ That is until I listened closer and heard these lyrics:

"This was never the way I planned
Not my intention
I got so brave, drink in hand
Lost my discretion
It's not what, I'm used to
Just wanna try you on
I'm curious for you
Caught my attention

I kissed a girl and I liked it
The taste of her cherry Chapstick
I kissed a girl just to try it
I hope my boyfriend don't mind it
It felt so wrong
It felt so right
Don't mean I'm in love tonight
I kissed a girl and I liked it
I liked it

No, I don't even know your name
It doesn't matter
Your my experimental game
Just human nature
It's not what, good girls do
Not how they should behave
My head gets so confused
Hard to obey

Us girls we are so magical
Soft skin, red lips, so kissable
Hard to resist so touchable
Too good to deny it
Ain't no big deal, it's innocent."

This is one of those backlashy situations where we make a small step forward while simultaneously taking several steps backward. While Perry does say that she enjoyed kissing a 'girl' she says it within the context of a safe heteronormative relationship which is reminiscent of all those drunk college girls who make out with their girlfriends to impress the boys (or was it just my friends...). "I kissed a girl just to try it/I hope my boyfriend don't mind it."
There is no greater capitulation to the patriarchal powers that be than feigning lesbianism for male approval. Perry's song, from the album One of the Boys, was obviously written with a male gaze in mind. Perry sings, "I don't even know your name/It doesn't matter." In her attempt to be "one of the boys" Perry too must objectify the women around her.

In the video for "I Kissed a Girl" there isn't a man in sight. This could be seen as a radical statement of woman-centeredness. However, I see it more as Andrea Dworkin might. Though I don't have the text with me, I am fairly certain that she wrote that girl-on-girl porn does not need a physical man present to be a creation intended for a male gaze. Dismembered female bodies abound in this video. It seems Perry is more concerned with being seen by heterosexual men than about making a radical lesbian political statement. Further, her depiction of femininity consists of fishnet stockings, lacy bustiers, red lipstick and mascara.


Beyond just that one song, lets take a look at Perry's other well-known tune "UR so Gay." Considering the controversy surrounding satire and irony in mainstream media lately, I think it is important to say that the video for this song is obviously a satire. However, the song alone does not immediately come off that way.

"I hope you hang yourself with your H&M scarf
While jacking off listening to Mozart
You bitch and moan about LA
Wishing you were in the rain reading Hemingway
You don’t eat meat
And drive electrical cars
You’re so indie rock it’s almost an art
You need SPF 45 just to stay alive

You’re so gay and you don’t even like boys...

You’re so sad maybe you should buy a happy meal
You’re so skinny you should really Super Size the deal
Secretly you’re so amused
That nobody understands you
I’m so mean cause I cannot get you outta your head
I’m so angry cause you’d rather MySpace instead
I can’t believe I fell in love with someone that wears more makeup than…

You’re so gay and you don’t even like boys...

You walk around like you’re oh so debonair
You pull em' down and there’s really nothing there
I wish you would get a clue that its not all about you

You’re so gay and you don’t even like boys...
No you don’t even like… PENIS"

As far as I can gather, not considering the video, this song does not seem all that ironic. It seems to be about a woman using the term 'gay' to insult her ex-boyfriend who she deemed too effeminate. The themes of homophobia and woman hatred seem to permeate Perry's work. When I consider that many of Perry's listeners are 12-year-olds like my cousin in Freedom, Wisconsin, I am concerned that they aren't in on the 'joke.' And frankly, I am not sure Perry really means it as a joke. Calling someone gay and/or equating him with femininity as an insult AND feigning lesbianism for male sociosexual approval are the furthest thing from progressive.